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Leo Brouwer – Hika ‘In Memoriam Toru Takemitsu’ – Classical Archives

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Classical Guitar Skip to content. Brouwer – Hika – your thoughts? Any thoughts of the Delcamp community on this piece? What bika we do without all your reports on the Brouwer festivals and other helpful posts?

Hika – Leo Brouwer (in Memoriam Toru Takemitsu) – Free Download PDF

I don’t know his sources and have not studied this lfo, so I’d be interested to hear about it too! The basic thing about playing the guitar is the pleasure you get from it. I particularly endorse David Belcher’s point about the transitions.


It is nonetheless perfectly suited to this piece after Takemitsu. Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp.

This is a challenging piece, not necessarily because of the quick passages many of these are aided by the scordaturabut because of the difficulty of maintaining the appropriate feel throughout the various transitions. It’s full of contrasts: Costas told me in a masterclass that the melody is actually Homeric in origin—that is very ancient indeed!

Board index All times are UTC. There’s nothing wrong with pleasure is there?

Hika ‘In Memoriam Toru Takemitsu’

Japanese koto music on guitar. Another important thing to consider is that “Hika” is a lament in Japanese musical tradition from what I understand and so this piece in memory of Brouwer’s good friend, Toru Takemitsu, is really a sort of mournful brokwer in his memory. He uses the melody that first appeared in his very early “Tres Apuntes” and there called “Bulgarian.

Always liked the piece. Glad you may stick around longer—this forum benefits from the likes of you!

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Reedition Domingo Esteso by Conde Hermanos ; Kenny Hill, model Barcelona “While you try to master classical guitar, prepare for a slave’s life: I don’t have the score in front of me right now, but can revert with more detail later if needed. While there is an overarching “lament” feel running bruwer, it may help to pick up the sections within the piece as separate “episodes of lament” and contrast them accordingly – and I feel that the composition has been “encoded” with interpretative clues for this to happen.

I played a lot of Brouwer the last few years, somehow his music fits my way of playing. I will report back when I have started learning the piece.

Also check out Shin-Ichi Fukuda’s recording if you can get your hands on it, which I consider to be the best version.